The book published alongside the exhibition Forecast and Fantasy: Architecture Without Borders, 1960s–1980s stages a meeting point for scientific predictions and futuristic fantasies that were manifested in architecture and art from the 1960s to the 1980s.
Bringing together authors from Eastern Europe and the West, the exhibition will display works that emerged from the new technological reality that followed the Second World War, and which took it along unexpected paths: foreseeing the replacement of work with games and collective pleasures in computerised societies, turning away from the overarching machine logic and replacing it with myths and romantic ideas of the human being, or looking for traces of other civilizations from space, instead of conquering it.
A utopia of quantification and of scientific planning, of the separation of life and work, was replaced by a striving towards harmony between the machine and nature, the mind and the body. These projects are extensions of a technologicised world, ironic and absurd situations that present a critique of rationalism and speak of the contradictions of late modern society, demonstrating at the same time both its intellectual horizons and the limits of its utopian fantasies.
